Mlle Mia , 2013 I 聚甲基丙烯酸酯 , 环氧树脂 I 90 X 55 X 51 cm
Mlle Mia , 2013 I 聚甲基丙烯酸酯 , 环氧树脂 I 90 X 55 X 51 cm
Mlle Mia , 2013 I 聚甲基丙烯酸酯 , 环氧树脂 I 90 X 55 X 51 cm
Mlle Mia , 2013 I 聚甲基丙烯酸酯 , 环氧树脂 I 90 X 55 X 51 cm
Mlle Mia , 2013 I 聚甲基丙烯酸酯 , 环氧树脂 I 90 X 55 X 51 cm
Mlle Mia , 2013 I 聚甲基丙烯酸酯 , 环氧树脂 I 90 X 55 X 51 cm
Mlle Mia , 2013 I 聚甲基丙烯酸酯 , 环氧树脂 I 90 X 55 X 51 cm
Mlle Mia , 2013 I 聚甲基丙烯酸酯 , 环氧树脂 I 90 X 55 X 51 cm
On an idea of Franck Argentin, RBC Mobilier, for auction sale.

Sensation of movement, formal vocabulary simple and precise led me to an interpretation resolutely constructivist of the Mia Chair. The combination of sand Altuglas plans, volumes and geometric lines enable the pre-existing structure Dynamics without shadow it and thus prolongs the 'perhaps' of this Chair. Assembly of drawings, the proportions, the openings mark an undeniable report the work of Malevich and released his only utilitarian context object to move it to this supremacist artistic universe.

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